Nineteen Thirty-Seven is a short story featured
in Edwidege Danticat’s Krik? Krak! This story revolves around one young girl’s
experience of dealing with her mother’s accusation and arrest for being a witch
shortly after the massacre of 1937 in the border of Haiti and the Dominican
Republic. During the story the author mentions the horrible experiences this
young girl’s mother went through during the massacre, as well as what both
mother and daughter did along with other women in order to remember the
sacrifices many did on that night of the massacre. In this analysis I will
argue that in story there is a special bond between the generations of women
that have inherited the Madonna. When the story begins, it starts off by
mentioning that the Madonna had shed a tear as the young girl was on her way to
visit her mother at the prison and at that very moment she thought her mother
was dead. Then when they young girl gets to see her mother the first thing her
mother asks is if the Madonna has cried and when she answers yes Manman starts
to cry. By the Madonna crying both the daughter and mother see it as a
prediction of what is to come to Manman in the future which is stated when the
narrator states: “Now, Manman sat with the Madonna pressed against her chest,
her eyes staring ahead, as though she was looking into the future.” (Danticat 40)
What this means is that if neither mother nor daughter had a bond, they would
never know the meaning of the Madonna crying or the importance of keeping the
Madonna close ones self.
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